In Writing Natural Dialogue, I discuss a number of focal points to do just that. In this article we’re gonna discuss an important common problem and dive into a more advanced approach of structuring dialogue.
Understanding the difference between conversation and dialogue is key to good writing (especially in comics).
I see a lot of scripts these days where writers try to be uber-stylish and inject their scripts with natural sounding conversation. I call this the Tarantino effect. And it doesn’t work in comics.
This is an Advanced Class Membership article. To access the full article:
Sign up here to become a monthly member and get access to ALL the Advanced Class articles.
OR
Purchase this article with a One Time Payment.
MEMBER LOGIN (Currently takes you back to the main writing-craft page. Working on debugging to keep users on the current page.) Stay tuned.