Goals NOT Problems
You’ll often hear people who teach writing emphasize a story’s “problem.” They say there’s no story without a central problem. Well, Captain Obvious says, “of course a story needs a […]
You’ll often hear people who teach writing emphasize a story’s “problem.” They say there’s no story without a central problem. Well, Captain Obvious says, “of course a story needs a […]
Your inciting incident or story catalyst is the event or occurrence that change’s the main character’s existing paradigm and allows the story to take place. Everything before the inciting incident […]
Ok, so you’ve got a futuristic, dystopic, anime-inspired, story idea for a script, with male and female MC leads… They start off cold towards each other and eventually fall in […]
Eat a bunch of crappy food and you’ll get fat, won’t be able to function optimally and eventually have health problems… Why do you think it works any different with […]
Lot’s of folks complaining of writer’s block lately. Allow me to tell you two stories. “Dave Cant and Joe Donwanna are avid backpackers and survivalists. In an effort to prepare […]
You’ve probably heard me say “writing is like cooking, best when all the ingredients come together…” Very true. And yet, within the multitude of story “ingredients” there are a few […]
If you don’t take the time to visually write it, your artist won’t take much time to draw it, the reader won’t take much time to read it. Don’t be […]
Pacing is critical to the comic reading experience and to the well executed script. It’s the glue that binds the reader. Too much, things get bogged down… attention spans wander, […]
You can write a comic script any way you want. Concept discovery revise/fix concept Outline revise/fix outline write script revise/fix script is gonna save you the most time. ▪ About […]