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Most of the comic stories that hit my desk these days are more involved than lots of the serial stuff we grew up on. To an extent, this is the […]
Most of the comic stories that hit my desk these days are more involved than lots of the serial stuff we grew up on. To an extent, this is the […]
Let’s talk screenplays for a moment. (I don’t often talk screenplay land stuff on my websites, simply because there’s no money in spec work, but this topic covers any form […]
Man, I gotta go back and rewatch this movie, Blood Vessel. It should have been much better than it was. Whenever I experience this, my writer brain always asks, “why?” […]
When I first started in comics I storyboarded every single page. In fact, I couldn’t even imagine NOT storyboarding my comic book scripts. At the time, I would have been […]
I mention the standard manuscript format elsewhere… 12 Pt Ugly Ass Courier, DOUBLE spaced (or 24pt leading). I thought this would be a quick, fun article to see WHY it’s […]
I often call people out on writing “On the Nose” dialogue; dialogue without any subtext… dialogue that says exactly what it means. On the Nose dialogue rarely engages reader and […]
I think you’d be hard pressed to find some work of fiction, some type of writing, that you could NOT turn into a comic. That is to say, you could […]
Though I talk about Loose vs. Tight scripting on page 17 of the Working Writer’s Guide to Comics and Graphic Novels, I decided to make a fancy graph and continue […]
This also could have been titled, “Newer Comic Writers, Don’t use Captions.” While I’ve spoken to captions elsewhere and they are certainly a viable technique in comics, more often than […]
Here are the first 12 pages of the Working Writer’s Guide to Comics and Graphic Novels. They cover the 10 core rules for scripting comics. Enjoy. 10 Rules to Writing […]