A Screenplay is not a Comic Script
I think you’d be hard pressed to find some work of fiction, some type of writing, that you could NOT turn into a comic. That is to say, you could […]
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I think you’d be hard pressed to find some work of fiction, some type of writing, that you could NOT turn into a comic. That is to say, you could […]
Over at Story to Script I’ve got an article that breaks down the economics of comic production. In it, one of the things I touch on is the problem nearly […]
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
I think everyone is familiar with a prologue in long prose; in comics (or screenplays) a prologue arrives as a scene, or in comics (or animated series script), an entire […]
This also could have been titled, “Newer Comic Writers, Don’t use Captions.” While I’ve spoken to captions elsewhere and they are certainly a viable technique in comics, more often than […]
(This was originally part of the Ultimate Fight Scene, but that article covered so much material, I decided to chop this useful bit out and post to the free blog […]
In the article More on Master Theme, I talk about the necessity of running a Master Theme in your story and some of the common mistakes working with secondary themes. […]
Here are the first 12 pages of the Working Writer’s Guide to Comics and Graphic Novels. They cover the 10 core rules for scripting comics. Enjoy. 10 Rules to Writing […]
I go over the importance of nomenclature in Storycraft for comics, breaking down a bunch of aspects of it, but I wanted to touch on another specific technique. One of […]
You’re a medical professional and scientist. Representatives of the Umbrella corporation arrive intent to hire you to implement the latest stem-cell chemotherapy combo technique to a number of people afflicted […]