So you’ve read Scene Selection and Narrative Drive and have a good understanding of which scenes stop narrative drive dead in its tracks… You understand that comics are a highlight […]

So you’ve written an outline and now you’re sitting down to script an issue. In my experience you’ll almost always have a surplus of scenes (especially if you’re scripting a […]

A critical concept in writing (comic or otherwise) is understanding the difference between “Threat of Violence” and “Violence” itself. The former creates tension, a cornerstone of good storytelling (and a […]

“How do you build a story within the 20 page framework of a comic while at the same time building the story for a larger story arc?” The short answer: […]