Cowriting vs Hiring A Writer
So you wana hire a writer to right the million dollar story in your head? When a writer writes their own work, they don’t answer to anyone. Heck, some writers […]
So you wana hire a writer to right the million dollar story in your head? When a writer writes their own work, they don’t answer to anyone. Heck, some writers […]
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Someone asked about the comic editing process, specifically; “How do you work with an editor?” “What does it cost and how can I tell if I’m getting ripped off?” “Will […]
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
I think everyone is familiar with a prologue in long prose; in comics (or screenplays) a prologue arrives as a scene, or in comics (or animated series script), an entire […]
Spectacular Spiderman #182 p.14 Sometimes Talking Heads don’t appear as just closeup head shots. Even full-body panels can be talking heads. Remember, the medium of story is CHANGE. Looks at […]
Writing female characters is no different than writing male characters. In fact, writing a character of any physical characteristic, or external trait–such as profession, economic wealth, etc. is no different […]
From what I understand this is a page from a Jean Grey issue by Marvel… I don’t know the context, I believe it precedes a romantic encounter between two main […]
Comics are two warriors, Art and Script, fighting back to back against the horde of boredom. As a writer you must always know what you are trying to say at any […]
How do you realize you’re running a split narrative and not showcasing key secondary character development? When the story focuses on your secondary character, are they still progressing the main […]