Verifying Your Concept
I’ve talked about the heart of the story (Scripting unforgettable panels) and I’ve talked about the Gravity of your Story. These concepts help you identify the core concept elements (Storycraft […]
I’ve talked about the heart of the story (Scripting unforgettable panels) and I’ve talked about the Gravity of your Story. These concepts help you identify the core concept elements (Storycraft […]
A question came up from a newer writer the other day: How exactly do you know when to call a script done and finished? Do you just keep coming back […]
So, I’ve been helping someone with their story who has been developing and sitting with their story for a really, really long time… They have tons of individual documents: character […]
In indie comics, editors are often the first link in the production chain to get tossed. C’ya wouldn’t want to be ya! It’s a big mistake, but money talks and […]
Writing is all about reader engagement. Case in point, as I get older, I find my time is more and more valuable… I remember back in the day I would […]
So you wana hire a writer to right the million dollar story in your head? When a writer writes their own work, they don’t answer to anyone. Heck, some writers […]
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Someone asked about the comic editing process, specifically; “How do you work with an editor?” “What does it cost and how can I tell if I’m getting ripped off?” “Will […]
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
I think everyone is familiar with a prologue in long prose; in comics (or screenplays) a prologue arrives as a scene, or in comics (or animated series script), an entire […]