Plot Kills. Story first.
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Someone asked about the comic editing process, specifically; “How do you work with an editor?” “What does it cost and how can I tell if I’m getting ripped off?” “Will […]
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
I think everyone is familiar with a prologue in long prose; in comics (or screenplays) a prologue arrives as a scene, or in comics (or animated series script), an entire […]
Spectacular Spiderman #182 p.14 Sometimes Talking Heads don’t appear as just closeup head shots. Even full-body panels can be talking heads. Remember, the medium of story is CHANGE. Looks at […]
Writing female characters is no different than writing male characters. In fact, writing a character of any physical characteristic, or external trait–such as profession, economic wealth, etc. is no different […]
From what I understand this is a page from a Jean Grey issue by Marvel… I don’t know the context, I believe it precedes a romantic encounter between two main […]
Comics are two warriors, Art and Script, fighting back to back against the horde of boredom. As a writer you must always know what you are trying to say at any […]
How do you realize you’re running a split narrative and not showcasing key secondary character development? When the story focuses on your secondary character, are they still progressing the main […]
Writing a comic without hiring an editor is like going to war without sighting in your rifle. You can still shoot at your enemy, but you’re probably gonna miss. It’s […]