Don’t Use Captions as a Crutch
This also could have been titled, “Newer Comic Writers, Don’t use Captions.” While I’ve spoken to captions elsewhere and they are certainly a viable technique in comics, more often than […]
This also could have been titled, “Newer Comic Writers, Don’t use Captions.” While I’ve spoken to captions elsewhere and they are certainly a viable technique in comics, more often than […]
Here are the first 12 pages of the Working Writer’s Guide to Comics and Graphic Novels. They cover the 10 core rules for scripting comics. Enjoy. 10 Rules to Writing […]
In the Working Writer’s Guide to Comics and Graphic novels, Comictography, is the second item, in the list of four essential elements to all comic panels. First and foremost, comictography […]
Take a moment and think back to your first love. Try to recall what you loved about her or him. No really, close your eyes and try to pull up […]
If you’re gonna write, you must know the difference between conversation and dialogue. Something I’ve seen increase lately is the use of profanity to carry a panel. A panel with […]
So you’ve got a character that has two identities… easy peasy. Let’s start with the basic example: Your character’s name is Fletch. FLETCH Do you think it’s a real gun? […]
Genuine story delivers a thesis about how we writers see the world. Our underlying message is our Master Theme. At its most fundamental level, genuine story is new understanding revealed […]
Want to make your comic hard to put down? Get a strong turn in every 2.25 pages. So simple you didn’t know 😉 ▪ About the Author — Nick Macari […]
Writers alway try to justify their exposition to me. When was the last time you encountered a nice hefty chunk of exposition in real life? Handle exposition like someone walking […]
Camera direction should only be used when it actively and directly drives the story, if it doesn’t leave it out. Give the artist the freedom to express himself and tell […]