Double Page Spreads
Someone who purchased the Working Writer’s Guide to Comics and Graphic Novels had a question about formatting a double page spread. Because comic real estate is generally in such high-demand, […]
Someone who purchased the Working Writer’s Guide to Comics and Graphic Novels had a question about formatting a double page spread. Because comic real estate is generally in such high-demand, […]
When you’re working on real world premises, you can often take some creative license and meld fact with fiction, but you can’t contradict fact with fiction. Important distinction.▪ About the […]
If you’ve bee following this site for a while, you probably already know the difference between a “loose” and “tight” comic script. A tight script can essentially touch on any […]
So you’ve read Scene Selection and Narrative Drive and have a good understanding of which scenes stop narrative drive dead in its tracks… You understand that comics are a highlight […]
I’ve talked about page/scene weights. One of the most superfluous panel setups are CHARACTER ENTRANCES, usually walking in through a door. GET RID OF THESE. Showing a character opening a […]