Screenplay Sloppy Sound Effects
If you get hung up on adding sound FX to your scripts, here’s a method to try. When you write your script, include the sound effects in the **panel descriptions** […]
If you get hung up on adding sound FX to your scripts, here’s a method to try. When you write your script, include the sound effects in the **panel descriptions** […]
People are always sending me treatments, or outlines (usually rough ones, not proper ones addressing specific story structure and development) and asking “Nick what do you think of my story?” […]
As I’ve noted before, visual writing is key to good comic writing. No script is error free, but when I see a script that has multiple instances where the writer […]
If you’ve read the Working Writer’s Guide to Comics, you know it’s all about emotion. You also know one of the most important elements to capture in a character based […]
A great artist can capture just about anything in comic art… but some subtle actions are a definite challenge. These subtle actions can give a good artist a run for […]
I talk about keeping your panel descriptions on point the Writer’s Guide, but to bring the point home, let’s take a look at an excerpt from the screenplay of Big […]
I do a lot of consulting/editing on comic book pitches. Last week I was contacted by a creative team that was finishing up their pitch package and decided they should […]
In Writing Natural Dialogue, I discuss a number of focal points to do just that. In this article we’re gonna discuss an important common problem and dive into a more […]
In long prose novel writing, one of the ways you keep the reader engaged in the story is to directly connect one chapter to the next. If you intrigue the […]
When I’m wearing my long prose hat, I’m often asked “how long should my scene be?” Looking at the size itself is largely irrelevant and the answer is always the […]