Cowriting vs Hiring A Writer
So you wana hire a writer to right the million dollar story in your head? When a writer writes their own work, they don’t answer to anyone. Heck, some writers […]
So you wana hire a writer to right the million dollar story in your head? When a writer writes their own work, they don’t answer to anyone. Heck, some writers […]
I think you’d be hard pressed to find some work of fiction, some type of writing, that you could NOT turn into a comic. That is to say, you could […]
Another one I get a lot is, “Is the concept the most important part of writing a story? Or the theme? Or the characters? Or the overall execution of the […]
Over at Story to Script I’ve got an article that breaks down the economics of comic production. In it, one of the things I touch on is the problem nearly […]
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Nick Braiden asked me to judge the writing on the 1 page comic contest he’s running on his Making Comics! Discord channel. Happy to help. And pleasantly impressed by the […]
I say this a lot around these parts, “You’ve got to know what you’re trying to say at any given moment in a story.” This is paramount in comics. Whether […]
Someone asked about the comic editing process, specifically; “How do you work with an editor?” “What does it cost and how can I tell if I’m getting ripped off?” “Will […]
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
Though I talk about Loose vs. Tight scripting on page 17 of the Working Writer’s Guide to Comics and Graphic Novels, I decided to make a fancy graph and continue […]