Editors Make it Better
It’s a sad fact that in efforts to keep budgets down, editors are a part of the creative team often cut in indie comic productions (or hired in a limited […]
It’s a sad fact that in efforts to keep budgets down, editors are a part of the creative team often cut in indie comic productions (or hired in a limited […]
Lots of folks are lazy. Their stories don’t have a well thought out concept, an underlying message, their characters aren’t developed with full, meaningful arcs, and they don’t bother to […]
Somebody PM’ed yesterday asking me to confirm or repudiate some advice on comic writing he received. Nothing against homeless guys, but the point here is when you turn to public […]
When you’re working on real world premises, you can often take some creative license and meld fact with fiction, but you can’t contradict fact with fiction. Important distinction.▪ About the […]
When you outline your mini-series, don’t try to break the story into issues WHILE you make the outline… Instead, make the outline as one complete story, then when you’ve got […]
I’ve been seeing the same question float around social media a lot lately… Folks working on a maxi-series or larger graphic novel, asking “where exactly do I start my story?” […]
At the end of Storycraft for Comics I talk about nomenclature for a few pages. One of the things I discuss, is a problem I see often in original universe […]
Lot’s of movies have powerful, emotional talking head scenes like this: https://www.youtube.com/watch?v=qM-gZintWDc It works in a movie because of: a) Good Acting (emotionally charged delivery of dialogue with good timing). […]
Good writing is efficient writing. In comic book scripting this isn’t simply a goal, it’s a necessity. A good comic script isn’t a monstrous, lumbering Newfoundland—it’s a German Short-haired Pointer—sleek, […]
Super Quick Tips were tweets or face book posts I felt important enough to reproduce here on the site. Sometimes the simplest pieces of advice are the best. Focus on […]