Start With Your Second Act
I’ve been seeing the same question float around social media a lot lately… Folks working on a maxi-series or larger graphic novel, asking “where exactly do I start my story?” […]
I’ve been seeing the same question float around social media a lot lately… Folks working on a maxi-series or larger graphic novel, asking “where exactly do I start my story?” […]
At the end of Storycraft for Comics I talk about nomenclature for a few pages. One of the things I discuss, is a problem I see often in original universe […]
Lot’s of movies have powerful, emotional talking head scenes like this: https://www.youtube.com/watch?v=qM-gZintWDc It works in a movie because of: a) Good Acting (emotionally charged delivery of dialogue with good timing). […]
Good writing is efficient writing. In comic book scripting this isn’t simply a goal, it’s a necessity. A good comic script isn’t a monstrous, lumbering Newfoundland—it’s a German Short-haired Pointer—sleek, […]
Super Quick Tips were tweets or face book posts I felt important enough to reproduce here on the site. Sometimes the simplest pieces of advice are the best. Focus on […]
Super Quick Tips were tweets or face book posts I felt important enough to reproduce here on the site. Sometimes the simplest pieces of advice are the best. * Amateur […]
Nomenclature in fiction (comic scripting included of course) is an art unto itself. Some people are particularly good at it, some not so much–some love coming up with names, for […]
Writing is: 70% planning. 10% writing and 20% re-writing. Don’t let anyone tell you otherwise. ▪ About the Author — Nick Macari is a full-time freelance story consultant, developmental editor […]
If you read the articles on the site here, you’ve probably notice I’m always emphasizing theme. Today I wanted to give you an actual example of how theme works as […]
One of the ways to make sure your characters don’t suck—both in quality and execution—is to know them better than you know yourself. If I remember correctly I have a […]