Scripting Unforgettable Panels
Take a moment and think back to your first love. Try to recall what you loved about her or him. No really, close your eyes and try to pull up […]
Take a moment and think back to your first love. Try to recall what you loved about her or him. No really, close your eyes and try to pull up […]
If you’re gonna write, you must know the difference between conversation and dialogue. Something I’ve seen increase lately is the use of profanity to carry a panel. A panel with […]
So you’ve got a character that has two identities… easy peasy. Let’s start with the basic example: Your character’s name is Fletch. FLETCH Do you think it’s a real gun? […]
Genuine story delivers a thesis about how we writers see the world. Our underlying message is our Master Theme. At its most fundamental level, genuine story is new understanding revealed […]
Want to make your comic hard to put down? Get a strong turn in every 2.25 pages. So simple you didn’t know 😉 ▪ About the Author — Nick Macari […]
Writers alway try to justify their exposition to me. When was the last time you encountered a nice hefty chunk of exposition in real life? Handle exposition like someone walking […]
Camera direction should only be used when it actively and directly drives the story, if it doesn’t leave it out. Give the artist the freedom to express himself and tell […]
The perfect day is not the perfect story. No conflict = No story. Also; Helping someone with a buddy cop comic: Remember you ALWAYS NEED CONFLICT. Amp it up. 2 […]
Less developed character, less page time = less narrative significance. Don’t make the character you see twice, for 2 pages, offer the key to the climax. Your story will reek […]
When you’re making editorial notes on your manuscript, always attach a direct excerpt to a page reference. //Foreshadow upcoming turn p77 “I don’t think so, drop the gun.”// Page numbers […]