The Strength of Weak Points – TIP
A weak point in a story isn’t necessarily a weak point, as long as you know it’s there and make an effort to deal with it. In fact, properly exploited, […]
A weak point in a story isn’t necessarily a weak point, as long as you know it’s there and make an effort to deal with it. In fact, properly exploited, […]
One of the most important mindsets to have as a comic writer is understanding the difference between writing something and being most effective in expressing what you want to say. […]
Being great at what you do sets you apart from 75% of everyone else… being ON TIME while being great sets you apart from 90%… Reliability increases your page rate. […]
If a writer is an effective writer, he will be effective from page 1… Rarely, does an ineffective writer at the beginning, suddenly become effective and engaging later on. Yet […]
As a comic writer you have to earn the reader’s attention. You don’t get it just because you took the time to put words to paper. ▪ About the Author […]
I once proposed something in a story and the client said, “no, we don’t need to do that here…” When I was adamant that the story-needed it-he said, “We don’t […]
Camera direction should only be used when it actively and directly drives the story, if it doesn’t leave it out. Give the artist the freedom to express himself and tell […]
The perfect day is not the perfect story. No conflict = No story. Also; Helping someone with a buddy cop comic: Remember you ALWAYS NEED CONFLICT. Amp it up. 2 […]
Less developed character, less page time = less narrative significance. Don’t make the character you see twice, for 2 pages, offer the key to the climax. Your story will reek […]
You don’t become a better writer by patting yourself on the back for what you did right, and ignoring what you did wrong. You become a better writer by being […]