Cut Your Entrances (and exits) – TIP
I’ve talked about page/scene weights. One of the most superfluous panel setups are CHARACTER ENTRANCES, usually walking in through a door. GET RID OF THESE. Showing a character opening a […]
I’ve talked about page/scene weights. One of the most superfluous panel setups are CHARACTER ENTRANCES, usually walking in through a door. GET RID OF THESE. Showing a character opening a […]
When you outline your mini-series, don’t try to break the story into issues WHILE you make the outline… Instead, make the outline as one complete story, then when you’ve got […]
When you’re pitching a mini-series to a publisher and you’re breaking down a synopsis of each issue, DON’T try and tell the story… instead, FOCUS on SHOWING the story through […]
Something I’ve noticed a lot lately, folks delivering muddy bubble placement direction for characters off panel. Usually, this comes on an exterior Establishing Shot. For example, the panel description details […]
For the love of God, there is no “zooming” in a single comic panel. Stop. Just stop. You have closeup and extreme close up. If you want to actually zoom, […]
As I’ve said before, comics are all about showcasing KEY scenes that express fundamental elements of the story (I refer to this as having weight, the more relevant the scene […]
Or any fixed-width typeface… One of the first things I do EVERY TIME someone sends me a script is; Select All Change Font Courier Change Font Size 12 Select Paragraph: […]
“It’s not just about fixing your script, it’s about becoming a better writer.” I may be biased here because editing is part of what I do, BUT, anyone who knows […]
Every once in a while I see a script where the writer has something like; Panel 1: yadda yadda yadaa Panel 2: Same as panel 1 BUT “slight change that […]
You’re probably familiar with one of the 10 comic writing rules (#2 in the book), “A single moment in time, a single action per character.” Don’t forget this also applies […]