A Screenplay is not a Comic Script
I think you’d be hard pressed to find some work of fiction, some type of writing, that you could NOT turn into a comic. That is to say, you could […]
Author: Nick
Most Important Parts of Writing
Another one I get a lot is, “Is the concept the most important part of writing a story? Or the theme? Or the characters? Or the overall execution of the […]
Hiring Good Comic Artists with Less Money
Over at Story to Script I’ve got an article that breaks down the economics of comic production. In it, one of the things I touch on is the problem nearly […]
Plot Kills. Story first.
Plot comes from story. Post that on the wall. Many writers don’t even know the difference between plot and story, even more rely on plot to engage their readers. The […]
Writing Contest Results
Nick Braiden asked me to judge the writing on the 1 page comic contest he’s running on his Making Comics! Discord channel. Happy to help. And pleasantly impressed by the […]
Plot Points
I say this a lot around these parts, “You’ve got to know what you’re trying to say at any given moment in a story.” This is paramount in comics. Whether […]
How to Work With an Editor
Someone asked about the comic editing process, specifically; “How do you work with an editor?” “What does it cost and how can I tell if I’m getting ripped off?” “Will […]
Dialogue During Action
From the Writer’s Guide; “Strenuous activity (i.e. action) is not conductive to conversation. Dialogue during action sequences can quickly become campy and/or preachy.” When scripting important key fights, dialogue can […]
Panel Descriptions
Though I talk about Loose vs. Tight scripting on page 17 of the Working Writer’s Guide to Comics and Graphic Novels, I decided to make a fancy graph and continue […]
Effective Prologues
I think everyone is familiar with a prologue in long prose; in comics (or screenplays) a prologue arrives as a scene, or in comics (or animated series script), an entire […]