Sample Scene Breakdown
Pinpointing and declaring scenes makes everything more organized and saves you time. The difference between using this approach and not using it when you script, is night and day. Do […]
Pinpointing and declaring scenes makes everything more organized and saves you time. The difference between using this approach and not using it when you script, is night and day. Do […]
Don’t tell the reader a character is scared. Show that character being scared. Trembling. Jumpy. Stumbling. Sweating. Darting eyes. Hesitation. ▪ About the Author — Nick Macari is a full-time […]
At the end of the Working Writer’s Guide to Comics and Graphic Novels I go through the main method I use to write a script directly from a comprehensive outline… […]
Starting a new comic series? Don’t focus on plot. Plot focus puts blinders on… it’s a distraction. Focus on discovering and defining your STORY FUNDAMENTALS. Get your foundation straight and […]
Do a mini-series, OR do a graphic novel. Or plan ahead that you want to do one, then convert to the other. Changing formats without forethought can produce hiccups, particularly […]
“The break is surrounded by bullet holes.” turns to; “Bullet holes surround the break.” Cleaner, more direct. A better read. Easy as makin’ pancakes. ▪ About the Author — Nick […]
Numbers in comic dialogue? Numerals in names & dates for sure. Comic dialogue/caption space is PRIME REAL ESTATE. My quick and dirty rule, write it out if it’s short-6 letters […]
Some comic writers write a ton of detail in their panel descriptions… others, not so much. I live and die by two rules when it comes to details; 1) Make […]
One of the problems with online writing forums is that people often give bad advice… actually, awful advice. But sometimes, the questions asked are worth answering proper. This article comes […]
Let’s do an exercise; Pick a movie or comic you enjoy. Doesn’t have to be your favorite—something you’ve memorized since you were fifteen—just something you’re familiar with… ok, got it? […]