Stop Relying on Dialogue – TIP
Comics are a visual medium. If your story relies on lots of dialogue, you are not writing visually and wasting tremendous potential. This doesn’t mean lots of silent panels, it […]
Comics are a visual medium. If your story relies on lots of dialogue, you are not writing visually and wasting tremendous potential. This doesn’t mean lots of silent panels, it […]
The more you “centerpiece” symbolism, the more you shrink your audience. Most folks don’t want to be required to decipher their comic stories. ▪ About the Author — Nick Macari […]
A skillful artist can translate a screenplay into a comic. Said artist can translate just about any text into a comic… but don’t delude yourself into thinking a screenplay is […]
Enter late, leave early. Put your focus on panels that drive the narrative forward. Don’t bog down on explaining the setup, readers are better at connecting the dots than you […]
Pinpointing and declaring scenes makes everything more organized and saves you time. The difference between using this approach and not using it when you script, is night and day. Do […]
Don’t tell the reader a character is scared. Show that character being scared. Trembling. Jumpy. Stumbling. Sweating. Darting eyes. Hesitation. ▪ About the Author — Nick Macari is a full-time […]
At the end of the Working Writer’s Guide to Comics and Graphic Novels I go through the main method I use to write a script directly from a comprehensive outline… […]
Starting a new comic series? Don’t focus on plot. Plot focus puts blinders on… it’s a distraction. Focus on discovering and defining your STORY FUNDAMENTALS. Get your foundation straight and […]
“The break is surrounded by bullet holes.” turns to; “Bullet holes surround the break.” Cleaner, more direct. A better read. Easy as makin’ pancakes. ▪ About the Author — Nick […]
Numbers in comic dialogue? Numerals in names & dates for sure. Comic dialogue/caption space is PRIME REAL ESTATE. My quick and dirty rule, write it out if it’s short-6 letters […]