Character Arc Payoff – TIP
The pay off of a character’s arc (and in turn, the story as a whole) is directly proportional to the amount of change. We recognize character change primarily through overcoming […]
The pay off of a character’s arc (and in turn, the story as a whole) is directly proportional to the amount of change. We recognize character change primarily through overcoming […]
Pinpointing and declaring scenes makes everything more organized and saves you time. The difference between using this approach and not using it when you script, is night and day. Do […]
Don’t tell the reader a character is scared. Show that character being scared. Trembling. Jumpy. Stumbling. Sweating. Darting eyes. Hesitation. ▪ About the Author — Nick Macari is a full-time […]
At the end of the Working Writer’s Guide to Comics and Graphic Novels I go through the main method I use to write a script directly from a comprehensive outline… […]
Starting a new comic series? Don’t focus on plot. Plot focus puts blinders on… it’s a distraction. Focus on discovering and defining your STORY FUNDAMENTALS. Get your foundation straight and […]
Do a mini-series, OR do a graphic novel. Or plan ahead that you want to do one, then convert to the other. Changing formats without forethought can produce hiccups, particularly […]
“The break is surrounded by bullet holes.” turns to; “Bullet holes surround the break.” Cleaner, more direct. A better read. Easy as makin’ pancakes. ▪ About the Author — Nick […]
Numbers in comic dialogue? Numerals in names & dates for sure. Comic dialogue/caption space is PRIME REAL ESTATE. My quick and dirty rule, write it out if it’s short-6 letters […]
Some comic writers write a ton of detail in their panel descriptions… others, not so much. I live and die by two rules when it comes to details; 1) Make […]