Repetition, Enemy and Ally
One of the first things I look for in the first editorial pass of a script, is repetition—unwanted, accidental redundancy. Unintentionally repeating the same thing, either specifically (having the MC […]
One of the first things I look for in the first editorial pass of a script, is repetition—unwanted, accidental redundancy. Unintentionally repeating the same thing, either specifically (having the MC […]
I always find it insightful to stop, take a moment and really look at the trends of comic writing. Not just the trends going on today, but the trends that […]
Be conscious when you call for an extreme long or wide, long or wide, or establishing shot, that you don’t try and focus on small details in the same panel. […]
I recently had someone tell me they agreed with me that every story should “say something” but opposed my use of “moral message” on page 13 of the book (when […]
Actually the title is a bit misleading, because I’m not saying to name the people about to die. What I’m really saying is name an “extra character” that has direct […]
First impressions are the most lasting. One of the most important decisions you make as a comic script writer is how you open your story. As the proverb says, it’s […]
Here’s the word file I personally use for writing comic scripts. Mac’s Comic Book Script Template – WORD version / OPEN OFFICE version I don’t make a distinction between […]
CAPTAIN OBVIOUS TIP: When I’m writing dialogue I make a lot of use of the “strike through” type feature. Strike through is a great way to leave possible dialogue on […]
If you’re like me, flagging a panel as full page art in a script is easy to do. It’s almost second nature to separate a powerful, emotional panel that capture […]
Dialogue is a cornerstone of comic scripting. As such when it’s off point, a book can quickly fall apart. So how exactly do you write natural sounding dialogue and for […]